The DJI Ronin-S is more than just a miniaturized version of the larger Ronin gimbal stabilizers; it represents a scalable ecosystem for integrating DSLR and mirrorless cameras into professional-grade workflows. The single-handed form factor of the Ronin-S lends itself to lighter camera payloads, up to eight pounds.
Designed for multicamera live streaming to the internet or broadcast applications, the compact ATEM Mini from Blackmagic Design provides gaming consoles, corporate computer streams, or HD cameras a four-input live production switcher with an integrated control panel. The four HDMI inputs are available on the rear of the chassis and they input up to 1080p60 video. There is also an HDMI output for a projector or external monitor, a USB Type-C output for streaming up to 1080p60 video to a computer, and an RJ45 10/100 Ethernet port for system management, remote control, and upgrades.
The A7S 7″ Full HD Monitor with red rubber case from Lilliput features an HDMI 1.4 input, making it suitable for UHD 4K filmmaking and photography. With a 16:10 aspect ratio and 1000:1 contrast ratio, the LCD panel displays Full HD images. The HDMI loop-through function allows you to output via HDMI to any other compatible device.
The Zhiyun-Tech Crane-2 is a 3-axis handheld gimbal stabilizer supporting mirrorless and DSLR cameras weighing up to 7 lb. Mount your camera on the included Manfrotto-standard quick release plate, balance it, and shoot for up to 18 hours on the supplied batteries. A rod-mount mechanical focus motor is included and can be controlled via the gimbal’s handwheel or an optional remote control for the Crane 2.
Panasonic Lumix S 50mm f/1.8 is a sleek and compact standard-length prime. Its 50mm focal length is ideally suited for portraiture, landscapes, and all-purpose shooting and provides a modestly bright f/1.8 maximum aperture for shallow depth of field control.
Panasonic Lumix S 85mm f/1.8 is a compact short-telephoto prime designed for full-frame L-mount mirrorless cameras. The 85mm focal length is ideally suited for portraiture and more selective shooting and pairs with a modestly bright f/1.8 maximum aperture that offers depth of field control while also promoting a sleek form factor.
A highly desirable focal length for portraiture, the AF-S NIKKOR 85mm f/1.8G from Nikon is a short-telephoto prime featuring a bright f/1.8 maximum aperture. This design finds balance between a lightweight, compact form factor while also being fast enough to effectively control depth of field and suit working in low light.
Nikon AF-S NIKKOR 50mm f/1.4G is a versatile prime, well-suited for a wide range of subject matter. Characterized by its fast f/1.4 maximum aperture, this lens is adept in difficult lighting conditions and also excels at isolating subjects using selective focus and shallow depth
Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape, astrophotography, and street shooting applications. Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture
ZEISS Batis 25mm f/2 is a wide-angle prime designed specifically for full-frame Sony E-mount mirrorless cameras. Its broad field of view makes it well-suited to landscape, reportage, and architecture photography applications and the bright f/2 maximum aperture is ideal for shooting in low-light conditions. The optical design uses a series of aspherical and anomalous partial dispersion elements to greatly reduce color fringing, distortion, and other aberrations to realize sharp, clear, and color-accurate imagery.