Lens

Presenting an ultra-wide field of view, the Sony FE 20mm f/1.8 G is a sleek and wide-eyed prime lens characterized by its portability, advanced optical design, and intuitive handling. It’s an ideal companion for a range of subjects, from architecture and interiors to landscape to vlogging, and the sleek size makes it a go-to wide-angle option for everyday and travel shooting.

Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. Additionally, a Super Spectra coating has been applied to individual elements to control flare and ghosting for high contrast and neutral color fidelit

Specialized and versatile, the EF 8-15mm f/4L Fisheye USM is a Canon L-series lens offering flexibility to a conventionally niche lens type. Capable of producing both circular and rectangular fisheye effects, this lens is characterized by its notable distortion and rounded image quality along with an immense 180° angle of view at the 8mm position. The optical design incorporates two ultra-low dispersion glass elements to limit chromatic aberrations and color fringing for high clarity and color accuracy, and a Sub Wavelength coating has also been applied to control flare and ghosting for greater contrast.

Panasonic Lumix S 50mm f/1.8 is a sleek and compact standard-length prime. Its 50mm focal length is ideally suited for portraiture, landscapes, and all-purpose shooting and provides a modestly bright f/1.8 maximum aperture for shallow depth of field control.

Panasonic Lumix S 85mm f/1.8 is a compact short-telephoto prime designed for full-frame L-mount mirrorless cameras. The 85mm focal length is ideally suited for portraiture and more selective shooting and pairs with a modestly bright f/1.8 maximum aperture that offers depth of field control while also promoting a sleek form factor. 

A highly desirable focal length for portraiture, the AF-S NIKKOR 85mm f/1.8G from Nikon is a short-telephoto prime featuring a bright f/1.8 maximum aperture. This design finds balance between a lightweight, compact form factor while also being fast enough to effectively control depth of field and suit working in low light.

Nikon AF-S NIKKOR 50mm f/1.4G is a versatile prime, well-suited for a wide range of subject matter. Characterized by its fast f/1.4 maximum aperture, this lens is adept in difficult lighting conditions and also excels at isolating subjects using selective focus and shallow depth

Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape, astrophotography, and street shooting applications. Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture

ZEISS Batis 25mm f/2 is a wide-angle prime designed specifically for full-frame Sony E-mount mirrorless cameras. Its broad field of view makes it well-suited to landscape, reportage, and architecture photography applications and the bright f/2 maximum aperture is ideal for shooting in low-light conditions. The optical design uses a series of aspherical and anomalous partial dispersion elements to greatly reduce color fringing, distortion, and other aberrations to realize sharp, clear, and color-accurate imagery. 

Offering a unique short-normal focal length with a close-focusing design, the Batis 40mm f/2 CF from ZEISS is a Sony E-mount prime further characterized by its advanced optical layout. Based on the Distagon design, this lens uses a series of aspherical and anomalous partial dispersion elements to greatly reduce color fringing, distortion, and other aberrations to realize sharp, clear, and color-accurate imagery. A floating elements system, coupled with the Close Focusing designation, is also employed for consistent performance when working with both near and far subjects. Additionally, an enhanced ZEISS T* anti-reflective coating has been applied to reduce flare and ghosting for working in difficult lighting conditions.