Canon

Designed with high-end cinema video in mind, the Canon RF 35mm f/1.4L VCM Lens is a wide-angle L-series hybrid prime featuring an ultra-fast f/1.4 maximum aperture to suit working in difficult lighting conditions. Its 11-blade iris creates soft, cinematic bokeh, and the lens features minimal focus breathing for easy and smooth focus pulls. The focus ring can be used full-time with override, and you can also utilize the iris ring manually during changing conditions on your video shoots.

An all-purpose prime designed for both photo and video applications, the RF 50mm f/1.4 L VCM Lens from Canon is a fast normal-length lens made for full-frame RF-mount camera systems. With its bright f/1.4 maximum aperture and 11-bladed diaphragm, working in low-light conditions isn’t an issue, nor is producing dreamy, complementary bokeh around your subjects. This hybrid lens design incorporates a video-friendly Voice Coil Motor (VCM) rear focus system with a Nano USM (Ultrasonic Motor) for precise autofocus and near-silent lens operation. Its dedicated manual iris ring and AF/MF switch offer users heightened focus control and allow for swift settings adjustments. Belonging to the L-series, this prime lens promises excellent durability and features a weather-resistant design that protects against dust and moisture.

Boasting enough horsepower to allow Canon’s highest resolution mirrorless sensor to shoot a speedy 30 fps and capture 8K60p raw video, the EOS R5 Mark II Mirrorless Camera is the multimedia professional’s solution for versatility, image quality, and intelligence. An all-new 45MP sensor’s stacked, back-illuminated design joins a brand new processor to provide upgrades in nearly every category, creating a do-it-all camera that gets the job done.
Key Features

Covering a versatile wide-angle focal length range, the RF 15-35mm f/2.8 L IS USM from Canon is also characterized by its bright f/2.8 constant maximum aperture. This bright design enables working in available light conditions and also affords greater control over depth of field. The range of wide focal lengths suits working in a variety of situations, from landscape to documentary shooting, and this zoom is complemented by an advanced optical design that greatly reduces color fringing and distortion for high clarity and sharpness. An Air-Sphere coating has also been applied to reduce flare and ghosting for improved contrast and color fidelity when working in bright conditions.

Characterized by a revamped optical design, the EF 16-35mm f/2.8L III USM from Canon is a workhorse wide-angle zoom and member of the well-regarded L-series of lenses. Featuring a series of specialized elements, this lens utilizes a trio of aspherical elements and two ultra-low dispersion glass elements to control a variety of aberrations for high sharpness and clarity. Both SWC and ASC coatings have also been applied to the elements in order to reduce lens flare and ghosting for increased contrast and color accuracy.

This impressive L-Series lens offers a telephoto zoom focal length for getting closer to faraway subjects. Canon’s lightest and shortest 70-200mm f/2.8 lens ever, the RF 70-200mm f/2.8 L IS USM is engineered to make traveling more comfortable, offering a compact and portable design that’s easy to pack and carry wherever you go.

A powerful multiuse zoom for photo and video, the RF 24-105mm f/2.8 L IS USM Z Lens from Canon is the first of its kind at this focal length and aperture. By utilizing dual Nano USM motors, this lens achieves fast and nearly silent autofocusing. The constant f/2.8 aperture allows for optimal low light performance and provides flattering bokeh for portraits at any focal length. In-lens optical image stabilization offers five and a half stops of correction, or eight stops with Coordinated IS when paired with a compatible camera. Four ultra-low dispersion elements and three aspherical elements help create sharper images and reduce chromatic and spherical aberrations. Additionally, the RF 24-105mm f/2.8 benefits from Super Spectra, Air Sphere, and Fluorine coatings, which work together to minimize ghosting and flare caused by lens surface reflection.

Spanning a popular and versatile range of focal lengths, the EF 24-70mm f/2.8L II USM is a Canon L-series zoom commonly thought of as the workhorse of lenses. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity.

One of the most versatile lenses available, the EF 70-200mm f/2.8L IS III USM from Canon is an L-series telephoto zoom distinguished by its bright design and advanced optics. Ideal for a variety of subjects ranging from portraiture to sports, the fast constant f/2.8 maximum aperture excels in difficult lighting conditions and also offers increased control over depth of field for isolating subjects. The optical layout makes use of one fluorite element and five UD elements to suppress chromatic aberrations and color fringing in order to realize a high degree of clarity throughout the zoom range. 

Matching strong photo performance with apt video capabilities, the Canon EOS R6 Mark II is a versatile mirrorless body for the multimedia creator. An updated 24.2MP CMOS sensor pairs with updated processing for more improved AF, impressive 4K 60p 10-bit video, and faster overall performance. Also, the camera body has been updated for more intuitive handling, including a redesigned top plate for easier access to different shooting modes.